Tsukikage — Yoshitoshi Bijin-ga Face LoRA (Krea 2) https://civitai.red/models/2781273/tsukikage-yoshitoshi-bijin-ga-face-lora-krea-2?modelVersionId=3132420 Face/style hybrid LoRA for Krea 2. Trained entirely on copyright-free material. It gives your subject a classical Japanese beauty look — elongated face, narrow slit eyes with heavy single-fold lids, small mouth — while keeping photorealistic skin and lighting at the right weight. Trigger word: tsukikage How to use (Krea 2 Turbo) • Euler / Simple, 8 steps, CFG 1.0 (negative prompt is ignored by Turbo) • Weight works like a style switch: at 0.5+ with tag-style prompts the whole image turns into a woodblock print. For photorealistic results, either use weight 0.3, or start your prompt with a "photorealistic photograph of..." declaration sentence — then you can push weight up to 1.0-1.1 and keep photo texture while the face stays strongly stylized. • The Qwen3-VL text encoder wants full sentences. (tag:1.5) emphasis syntax does nothing. • Don't prompt "closed eyes" — the narrow slit eyes are built into the trigger. Trained with musubi-tuner on Krea-2-Raw (bf16), dim32/alpha32, shift 2.5, adamw8bit lr 1e-4. Works as-is on krea2_turbo checkpoints. Epoch 4 of 6 was selected: strongest face, most controllable stylization. —— Prompt examples: photorealistic full body fashion photograph of an extremely tall japanese woman, 185 centimeters tall, her entire figure visible in frame from her hair down to her bare toes. She has the body of a Paris haute couture runway supermodel: her head is very small and delicate in proportion to her extremely tall body, a tiny refined face on a swan-like long neck, an eleven-heads-tall silhouette like an elongated fashion illustration, impossibly long legs that take up two thirds of her height, endless long slender thighs and long shins like a prima ballerina, long willowy arms with slim wrists, a narrow high waist, slim elongated torso, and a voluptuous heavy bust with large full round breasts that stand out on her slim frame, and long curved hips. She is a young woman in her early twenties, her face youthful and fresh with soft plump cheeks. Her face has deeply hydrated glass skin, translucent like porcelain glass, dewy water-light glow, real living skin. Her eyes are extremely narrow horizontal slits, barely open, like two thin ink lines drawn on her face. Heavy hooded single-fold eyelids hide most of her eyes, only tiny dark pupils visible through the slits. She is completely naked, wearing nothing at all, so that her magnificent traditional Japanese irezumi tattoo is fully visible and unobstructed over every inch of her body: a full-body horimono masterpiece of a coiling dragon and swimming koi fish among peonies, cherry blossoms and swirling finger waves, inked in deep indigo, muted crimson and touches of gold, flowing unbroken from her shoulders down both arms, across her upper chest framing but not covering her bare breasts, over her back and buttocks, and down the entire length of her legs — covering her legs like a full tattoo bodysuit with no gaps: every inch of skin from her hips to her ankles is filled with ink, the fronts and backs of her thighs, both kneecaps, her shins, her calves, down to the tops of her feet, no bare skin anywhere on her legs — the intricate linework and soft bokashi shading glowing richly on her bare skin in the lamplight, crisp detailed tattoo linework, real ink in real skin, nothing covering her body anywhere. She is deeply, hopelessly drunk, but silent and bewitching: her cheeks and ears are flushed rose red from sake, her heavy-lidded gaze slides sideways toward the viewer, slow and smoldering, her moist glossy lips slightly parted, head tilted back dreamily, her whole body loosened and languid with drink, a sultry seductive stillness, a shallow red lacquered sakazuki cup held tipped in one limp graceful hand, an overturned ceramic tokkuri flask at her bare feet. She stands unsteadily at full height, swaying with drink, leaning one tattooed shoulder against a dark wooden pillar, one long leg straight and the other knee softly bent inward, her endless tattooed legs dominating the lower two thirds of the frame. Her large bare breasts are fully exposed between the flowing ink, soft natural nipples plainly visible in the lamplight. One of her long graceful arms reaches down in front of her body and her slender tattooed hand rests gently over her groin, palm inward, relaxed fingers, modestly and elegantly covering it, natural hand anatomy. Late at night in an Edo-period yukaku room of tatami mats and shoji screens, lit only by pale blue moonlight through the shoji and the warm orange glow of one andon paper lantern, cool moonlight and warm lamplight mixing on her tattooed skin. tsukikage, 1girl, solo, tall female, very long legs, small head, completely nude, full body tattoo, irezumi, bare shoulders, bare legs, bare thighs, barefoot, narrow eyes, full body, wide shot, night, indoors. Bewitching, seductive Japanese allure, an air of yoen erotic elegance. Shot from a low angle at knee height on a full-frame camera with a 35mm lens, the perspective stretching her long legs even longer, a fashion editorial composition, this is a real photograph, not a painting. — photorealistic full body fashion photograph of an extremely tall japanese woman, 185 centimeters tall, her entire figure visible in frame from her hair down to her bare toes. She has the body of a Paris haute couture runway supermodel: her head is very small and delicate in proportion to her extremely tall body, a tiny refined face on a swan-like long neck, an eleven-heads-tall silhouette like an elongated fashion illustration, impossibly long legs that take up two thirds of her height, endless long slender thighs and long shins like a prima ballerina, long willowy arms with slim wrists, a narrow high waist, slim elongated torso, and a voluptuous heavy bust with large full round breasts that stand out on her slim frame, and long curved hips. She is a young woman in her early twenties, her face youthful and fresh with soft plump cheeks. Her face has deeply hydrated glass skin, translucent like porcelain glass, dewy water-light glow, real living skin. Her eyes are extremely narrow horizontal slits, barely open, like two thin ink lines drawn on her face. Heavy hooded single-fold eyelids hide most of her eyes, only tiny dark pupils visible through the slits. She is completely naked, wearing nothing at all, so that her magnificent traditional Japanese irezumi tattoo is fully visible and unobstructed over every inch of her body: a full-body horimono masterpiece of a coiling dragon and swimming koi fish among peonies, cherry blossoms and swirling finger waves, inked in deep indigo, muted crimson and touches of gold, flowing unbroken from her shoulders down both arms, across her upper chest framing but not covering her bare breasts, over her back and buttocks, and down the entire length of her legs — covering her legs like a full tattoo bodysuit with no gaps: every inch of skin from her hips to her ankles is filled with ink, the fronts and backs of her thighs, both kneecaps, her shins, her calves, down to the tops of her feet, no bare skin anywhere on her legs — the intricate linework and soft bokashi shading glowing richly on her bare skin in the lamplight, crisp detailed tattoo linework, real ink in real skin, nothing covering her body anywhere. She is deeply, hopelessly drunk, but silent and bewitching: her cheeks and ears are flushed rose red from sake, her heavy-lidded gaze slides sideways toward the viewer, slow and smoldering, her moist glossy lips slightly parted, head tilted back dreamily, her whole body loosened and languid with drink, a sultry seductive stillness, a shallow red lacquered sakazuki cup held tipped in one limp graceful hand, an overturned ceramic tokkuri flask at her bare feet. She stands unsteadily at full height, swaying with drink, leaning one tattooed shoulder against a dark wooden pillar, one long leg straight and the other knee softly bent inward, her endless tattooed legs dominating the lower two thirds of the frame. One slender tattooed arm is raised casually across her chest, her graceful hand and forearm coyly and nonchalantly concealing her nipples while the soft full curves of her large breasts spill around it. One of her long graceful arms reaches down in front of her body and her slender tattooed hand rests gently over her groin, palm inward, relaxed fingers, modestly and elegantly covering it, natural hand anatomy. Late at night in an Edo-period yukaku room of tatami mats and shoji screens, lit only by pale blue moonlight through the shoji and the warm orange glow of one andon paper lantern, cool moonlight and warm lamplight mixing on her tattooed skin. tsukikage, 1girl, solo, tall female, very long legs, small head, completely nude, full body tattoo, irezumi, bare shoulders, bare legs, bare thighs, barefoot, narrow eyes, full body, wide shot, night, indoors. Bewitching, seductive Japanese allure, an air of yoen erotic elegance. Shot from a low angle at knee height on a full-frame camera with a 35mm lens, the perspective stretching her long legs even longer, a fashion editorial composition, this is a real photograph, not a painting.