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The painting of a woman 50-year-old sitting in a garden with((( delicate little pink sunglasses)))who is elegantly dressed in a high-collared, long-sleeved, and floor-length gown, which exemplifies the late Victorian fashion. The dress is crafted from rich, dark-colored fabric, possibly velvet, and is characterized by its simplicity and clean lines. A small, high collar frames her face. The bodice is buttoned up the front, and its shape accentuates her slender waist. A narrow sash cinches the waist, creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists, reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor, with a slight train at the back. It is designed to flow smoothly from the waist, creating a straight, elongated line down to the ground. Her complexion is pale and flawless, following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush, delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids, and mascara defines her lashes. Her lips are tinted with a natural, muted color, possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,, ,more detail XL,photo r3al

The painting of a woman 50-year-old sitting in a garden with((( delicate little pink sunglasses)))who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of a woman 50-year-old sitting in a garden with((( delicate little pink sunglasses)))who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of a woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of a woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of mature woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of mature woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of mature woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of mature woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of mature woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
The painting of mature woman 50-year-old sitting in a garden with((( delicate little pink sunglasses))) smiling with a doll looking at the camera who is elegantly dressed in a high-collared,  long-sleeved,  and floor-length gown,  which exemplifies the late Victorian fashion. The dress is crafted from rich,  dark-colored fabric,  possibly velvet,  and is characterized by its simplicity and clean lines. A small,  high collar frames her face. The bodice is buttoned up the front,  and its shape accentuates her slender waist. A narrow sash cinches the waist,  creating a subtle hourglass figure. The sleeves are snugly fitted at the shoulders and taper down to the wrists,  reflecting the tailored look of the era. The cuffs of the sleeves are adorned with small decorative buttons. The skirt of the gown falls gracefully to the floor,  with a slight train at the back. It is designed to flow smoothly from the waist,  creating a straight,  elongated line down to the ground. Her complexion is pale and flawless,  following the Victorian preference for porcelain-like skin. She uses a light foundation or powder to achieve this look. Her cheeks are lightly flushed with a subtle hint of rosy pink blush,  delicately applied to the apples of her cheeks. The eyes are enhanced with a soft and natural look. Eyebrows are elegantly shaped with a slight arch and are filled in gently. Eyeshadow in neutral shades enhances her eyelids,  and mascara defines her lashes. Her lips are tinted with a natural,  muted color,  possibly a soft shade of pink or rose. Lip balm is applied to keep her lips smooth and moisturized. In a style of Claude Monet, AIDA_LoRA_LauraB, more detail XL, photo r3al,,
,more detail XL,photo r3al
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